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Lost in Translation

Availability

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14 Stella
Disc, Artwork
407 137 [ Buy It ]
10 maryjanefoxie
Disc, Case
23 10 [ Buy It ]
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Theatrical Release

October 3, 2003

DVD Release

October 3, 2003

Studio

Universal Studios

Rated

R (Restricted)

Directors

Sofia Coppola

Actors

Scarlett Johansson, Bill Murray, Akiko Takeshita, Kazuyoshi Minamimagoe, Kazuko Shibata, Take, Ryuichiro Baba, Akira Yamaguchi (II), Catherine Lambert (II), François du Bois, Tim Leffman, Gregory Pekar, Richard Allen (XV), Giovanni Ribisi, Diamond Yukai, Jun Maki, Nao Asuka, Tetsuro Naka, Kanako Nakazato, Fumihiro Hayashi

Switchers Rate This:

Currently selling for $4 NEW at Amazon.com

Recent Switchers Said...

"Bill Murray goes from clown comedy to serious actor with a streak of dark humor. Very engaging film, wonderful script and plot - the pacing is perfect."

Formats

  • AC-3
  • Anamorphic
  • Color
  • Dolby
  • Dubbed
  • Subtitled
  • Widescreen
  • NTSC

Additional Information

Like a good dream, Sofia Coppola's Lost in Translation envelops you with an aura of fantastic light, moody sound, head-turning love, and a feeling of déjà vu, even though you've probably never been to this neon-fused version of Tokyo. Certainly Bob Harris has not. The 50-ish actor has signed on for big money shooting whiskey ads instead of doing something good for his career or his long-distance family. Jetlagged, helplessly lost with his Japanese-speaking director, and out of sync with the metropolis, Harris (Bill Murray, never better) befriends the married but lovelorn 25-year-old Charlotte (played with heaps of poise by 18-year-old Scarlett Johansson). Even before her photographer husband all but abandons her, she is adrift like Harris but in a total entrapment of youth. How Charlotte and Bill discover they are soul mates will be cherished for years to come. Written and directed by Coppola (The Virgin Suicides), the film is far more atmospheric than plot-driven: we whiz through Tokyo parties, karaoke bars, and odd nightlife, always ending up in the impossibly posh hotel where the two are staying. The wisps of bittersweet loneliness of Bill and Charlotte are handled smartly and romantically, but unlike modern studio films, this isn't a May-November fling film. Surely and steadily, the film ends on a much-talked-about grace note, which may burn some, yet awards film lovers who "always had Paris" with another cinematic destination of the heart. --Doug Thomas - Amazon.com

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