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| 10 | hoops4life2115 Disc, Artwork, Case |
202 | 72 ![]() |
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| 10 | EastCOtrainer Disc, Artwork, Case |
95 | 56 ![]() |
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| 10 | karen&joe Disc, Artwork, Case |
68 | 46 ![]() |
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| 6 | kclay242003 Disc |
112 | 59 ![]() |
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| 8 | cjsuds Disc, Artwork |
18 | 14 ![]() |
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March 12, 1991
Warner Bros / Wea
1
"So many available to Switch... could this be the sign of how much this CD is not good? I mean, sucks? Or blows, take your pick. Major label was a bad idea until the new one."
- WinkJunior, gave it a 1/5
Though R.E.M. titled a later album Monster, this 1991 smash was the true monster, with the little Athens, Georgia, quartet graduating once and for all from its jangling independent-rock roots. The confusion Michael Stipe communicates in the catchy "Losing My Religion" and the dark-and-dreamy "Low" hit the mainstream-rock audience when it was most primed for uneasy angst. (Nirvana's Nevermind was released a few months later.) There are also odd but successful experiments, like ceding the opening "Radio Song" to rapper KRS-One (with Stipe playing the moaning straight man) and going peppy for the surprisingly nonsarcastic "Shiny Happy People." --Steve Knopper - Amazon.com essential recording
Matching their ugliest album cover with some of their most sublime music, Out of Time inaugurates the finest phase of R.E.M.'s work. This meditative yet sometimes seething album offers not only their greatest single since "Radio Free Europe" ("Losing My Religion," about which critics and programmers agreed for once), but a moodscape that ties together that song's ambivalence, the sneer of "Radio Song," the doom of "Low" and the sprightliness of "Shiny Happy People" and "Me in Honey." Their bestseller, and deservedly so. --Rickey Wright - Amazon.com