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[ View Notes ] |
November 30, 1999
Sony Pictures
R (Restricted)
John Fawcett
Maria Bello, Sean Bean, Maurice Roƫves, Sophie Stuckey, Abigail Stone, Richard Elfyn, Casper Harvey, Eluned Jones, Gwenyth Petty, Robin Griffith, Mike Keegan, Tonya Smith
Dark is as mysterious as it is horrific, making it refreshingly eerie compared to the current wave of lackluster horror films. Dark's protagonist, Ada (Maria Bello), a heroically sly mother who aims to bring her allegedly dead daughter back to life, further clarifies director John Fawcett's affinity for femme fatales, best exemplified in his juicy feminist werewolf film, Ginger Snaps. This time mining the indestructible psychic mother-daughter bond for material, Fawcett tells the story of Ada, who brings daughter, Sarah, to Wales for a visit with husband and father, James (Sean Bean), an artist relocated to a remote seaside haunt. After Sarah becomes obsessed by a monolith carved with cryptic text about Annwyn, the pagan Welsh equivalent of purgatory, Ada predicts her daughter's fall off a cliff in a nearby pasture. Search parties fail to locate the girl's body, so Ada heads to the local library for research, discovering that the house they live in is inhabited by the ghost of Sarah's doppelganger, Ebrill, who seeks rebirth after a similar drowning accident. Ada makes the ultimate sacrifice to rescue her daughter while Sarah's father stands idly by. Dark's plot directly relates to the classic psychological thriller, Don't Look Now, but lacks the same subtle visual beauty, instead opting for a modern primitive look. But with Welsh mythology mixed in, not to mention subplots involving a psychotic shepherd into trepanation, and a local sheep population afflicted with a suicide-inducing virus, Dark contains appealing medieval imagery, and its contemporary take on pagan self-sacrifice is sick and cultish rather than sexy and natural, as in The Wicker Man. Dark can at least be applauded for entering some intriguingly creepy territory. --Trinie Dalton - Amazon.com